Despite photography being the second most important thing
in Dominique Amphonesinh’s life – his wife and children come first – his
initial interest in the subject was ignited by a chance, rather than
planned, encounter.
In 1982, aged 14, he was hanging around in the school
yard one evening, when a teacher who wanted more participants for his
course on developing photographs, invited Dominique along to make up the
numbers – a grand total of three in the end! Nevertheless, it really was a
case of ‘love at first sight’, for Dominique, who comments, “My passion
for photography appeared at the same time as the photograph began to
appear in the developing tank.” Although Dominique’s creativity is innate
- and had he not become a professional beauty and fashion photographer, he
would have gone into advertising or some other similarly creative
profession – he developed his technical photographic skills mainly through
training on the job.
In 2003, however, having dismissed the idea of a three
year photographic course at college as taking too long and being too
complex for someone in his position, he decided to invest the same amount
of money in private courses. So over the year he took specialist courses
with experts in light and image capture, a far more productive approach
from his perspective, “As I was their customer rather than their
assistant, my tutors were able to give me their full concentration and it
was far less time-consuming for me.” The courses were clearly good value
as he considers them to have been crucial in his success to
date.
|
|
Other factors he rates as important have been his
knowledge of IT and the Internet, his blend of creativity gained by
working with both film and digital photography, his willingness to embrace
change and to understand his customers while accurately anticipating
demand, and his passion and patience. His only regret is that he never
took a course in the history of art. Even so, he is enormously satisfied
with what he has achieved in the photographic field, but he feels that
“there’s still so much to discover” and in fact, because he is doing so
much commercial work, plans to present a ‘truly personal work’ within the
next two years – a still life, which will depict a story, using dolls to
represent man. Perhaps he will be inspired by the work of some of the
photographers he admires, photographers such as Guido Mocafico, David
Lachapelle, Andreas Bitesnich and Gregory Crewdson.
In the meantime, he continues to work with clients
that include Dolce & Gabanna, Diesel, Adidas and G-Star. Dominique may
have acquired a range of technical skills through his work with film, but
he is now a ‘digital only’ professional photographer - “I love it. I don’t
use anything else” – and uses a Hasselblad H2D, which, thanks to its
technology, build quality and design, gives him the image quality both he
and his clients demand. His use of Hasselblad camera systems is also
driven by other more businesslike reasons, as he remarks, “I was impressed
by the intelligent fusion of Imacon and Hasselblad, which reveals a
credible, global, long-term vision for the new, digital Hasselblad.
Compared with many other brands, Hasselblad clearly understood digital
convergence very well very early on, and for me, one word encapsulates
Hasselblad – ‘professional’.”

Delighted to have been named a Hasselblad Master in
2007, Dominique also hopes that the award will help him to reach his goal
of achieving international recognition as a professional photographer in
beauty and fashion within the next three to five years. And to those young
photographers who are looking to join the profession, he offers the
following advice, “Have faith in your ability - when you really want to do
something, you can do it. Anticipate the difficulties, prepare your way
forward, plan ahead and be patient!”
|